twr72 is back with a full new story starring lucid as the lead. lucid dropped out of space on a world called planet earth. it’s luminous and vivid appearance were instantly clear. at first lucid was a bit reserved but during it’s first steps it opened up and showed some colorful emotions and hints of it’s personality. with detailed patterns of communication lucid tried to find a way through this new world. erudite, which was already for a more prolonged time on planet earth, picked up the incomprehensible code from lucid and reproduced it into a solid and clever message. erudite was keen enough to think of a way to communicate back with lucid as it noticed lucid needed help. but it needed someone else to bring the message to lucid. so erudite asked help from colloquial who could easily transcript the message back to lucid. colloquial used different types of frequencies to connect to lucid, but it wasn’t that easy. lucid already travelled further and was hard to reach. therefor colloquial tried to use heavier elements to make a more solid composition. unfortunately not only positive things arrived from space. aporia was a rather negative influence which disturbed the link between colloquial and lucid. aporia tried to force the communication by continuously changing the elements of the message. but it wasn’t all that bad, because at the end aporia brought the two important elements of the message together.

thus far lost city of atlantis has been spotted on just one 12-, released on emotions electric two years ago and supposedly the handiwork of a producer active in the late 80s between new york and detroit. whether the providence is correct or not hardly matters, the most important thing is the quality of the tunes, and on this new release for slow town there s an abundance of hardware delights to get freaky to. -secret code of 7- is a particularly bugging synth jam, while -four- piles the swinging funk on heavy. this is certainly rough and ready house music, whenever and wherever it was made.

steven bc has been busy carving out his own niche in the underground over the past year, primarily on the shall not fade label. house crime were quick to pick up on the distinctive qualities in his lo-fi, pumped up sound and following on from an appearance on house crime vol. 1. bc is back with a whopping great double pack of killer jams from the wild side of the outboard brigade. -drive over- has a nagging lead line that will turn heads despite its stark simplicity, while -between the sheets- plays with boogie tropes and makes them sound delightfully off kilter. start to finish it s a collection of wondefully grubby but utterly fresh jams

favorite recordings and charles maurice present the 3rd edition of their acclaimed aor global sounds compilations series. another fine selection of 14 rare and hidden tracks, produced between 1976 and 1985 in various parts of the world!

growing up in south yorkshire, mella dee’s early musical influences originated from the sounds coming out of warehouses in and around his stomping ground. this soon developed into a love of the burgeoning scene and audio palette from warehouse parties worldwide, hardcore, house, bleeps, techno and everything in between. with a respectful nod to the impact this had on him, aitchison strives to create his own take on warehouse music with his new project.
the debut sees mella dee present three upfront club cuts, his most energetic release to date. ‘&#8203,,,music controls you&#8203,,,’ is relentlessly compelling and trippy, with a rave stab lead, whilst ‘&#8203,,,expansion&#8203,,,’ uses acid sounds and percussion to build an outright techno groove designed for the deepest, darkest club moments. ‘&#8203,,,movement&#8203,,,’ closes the ep with a driving take on bleep and techno.

what is amateur space jazz? one could call it a lo-fi minimal wavish version of cosmic space jazz and anything closely related to it...from spiritual soul, g-funk, ethiopian jazz to ambient and everything in between...no knowledge of musical theory is required...played with a d.i.y punk approach on crappy digital synthesizers - preferably with dubious renditions of real instruments. warmed up to the right temperature with some offbeat effectsbox. multitracking is a technique widely used...to create a one person band with all its members oneselfs multidimensional copies in time........comes with a 24 page graphic novel written and drawn by danny wolfers himself and a nightwind amateur space jazz gummy domed sticker.......lets enter world of amateur space jazz!!!

tenor singer johnny clarke had many false starts in his youthful days. hanging around studio one as a schoolboy with jacob miller, clarke was supposed to record material written for him by bob andy, but somehow never made the grade. his 1973 debut recording for lesser-known producer glen stair was not released, and early work for clancy eccles failed to hit, though ‘everyday wondering’ for rupie edwards made an underground impact in britain and new york. subsequent singles for keith hudson and glen brown also did not get very far, but the breakthrough finally came when bunny lee asked him to sing ‘none shall escape the judgement,’ which was written by the singer earl zero, it became a massive hit that launched the ‘flying cymbal’ craze (based on an open-and-closed high-hat cymbal pattern, adapted from the soul train theme), and clarke became one of lee’s most reliable hit-makers, partly because lee stoked a rivalry between him and cornell campbell, whom lee had previously asked to voice ‘none shall escape.’ clarke’s satisfaction lp was recorded at harry j for lee, voiced at king tubby’s studio, and issued by third world in 1979. it is a set largely comprised of cover tunes, such as the strong opening update of the paragons’ ‘riding for a fall,’ the title track adapting their rock steady hit ‘my satisfaction’ in a post-rockers style. better still is the hard-hitting ‘reality’ tune, ‘play fool, get wise,’ which uses a proverb to relate a means of avoiding trouble on the dog-eat-dog mean streets of kingston.

sold out - repress 2017 , its gonna be summerly again in the fauxpas musik catalog and while its tour de france at the moment, were releasing the album chapeau rouge by french artists bruno bourmendil aka folamour. four tracks taken from the album will be pressed on sunny yellow wax including a sunset-red innnersleeve, a risograph printed inlay and a download-code for loading the entire album. the nice design concept was made by alex ketzer again. were looking forward to a warm and sunny summer 2015. vinyl tastes better…

et bosconi soundsystem finally has landed on the label with a four tracker ep. born as a dj project orginally in 2009, bss features three of the central personalities those have defined in a way the sound mark of the label through the years since its foundation: label owner fabio della torre, mass prod and rufus. this debut release has named -back to front- not only as a work and life statement but also recall one of trio s very intimate baddest habits (please do not misundertand..) first scandalous cut of the front side -( she wipes ) back to front- is the powerful combination of a bouncing and tight 909 groove plus a pulsating fat bass enriched here and there by psychedelic synth lines properly made to excite your pelvic moves between the decks and on the dancefloor.a2 is a voyeuristic happy, funky, progressive and glorious deep techno weapon for the ecstatic peak time moments. on the back side you ll find the cheeky mood of the modular melodic joints of the swinging b1 track named -three healthy birds- and the granitic and new-not-old skool organ vibe of the senselessly titled b2 -i <3 my pinus-. stripped down club music for no puritans

for its 6th release on ed banger records busy p asked his longtime friend from los angeles mayer hawthorne to write a love song. while the world is going crazy, the only answer is love. the song was recorded between threesome studio in paris and mayer’s own in l.a. to complete this ep, we’ve asked uk’s finest producers. the mysterious kda who’s topping uk’s charts, delivers an infectious remix with mental drums and funky twist. hot chip’s main man joe goddard has been one of my favorite producer ever. it was about time to have him on board! reckonwrong dropped the hottest ep of 2015 on young turks sublabel whities. his remix is pure magic. exotic beats with techno flavours. last but not least, we went experimental on this one! this is the first flow machines remix. the goal of flow machines is to research and develop artificial intelligence systems able to generate music autonomously or in collaboration with human artists.

patrick vanos next installment on mos ferry takes you on a journey. industrealized ep is an adventure ride between techno and house with side trips into minimal or psychodelic areas. after his tape jam ep and the following remixes patrick did not sit back complacently. he mixed and compiled selected vibes, vol.5, was part of our mos ferry takeover boiler room in berlin and not to mention the long nights he spent in the studio for this release. the result is quality tunes right to the point.

we were very happy to be asked by connaisseur recordings if they could put out another album with our music! now it s all come together and they ve asked us to do our own press release for it and quite like the album, we want to do it in our own way, personal and from the heart. it s been a few years since our last connaisseur album, and a lot has happened since. we ve built a new studio, matured musically, acquired new gear, sold old gear, done a lot of gigs, lost faith in music and regained it again. the process of making the loneliest man in space (this album) was a genuinely pleasant experience, as we never really set out to make an album at all. we didn t conceptualize or have any grandiose plans, we simply enjoyed ourselves in the studio. inspiration was running high, so we focused on making a lot of music uninterrupted, rather than signing tracks, which left us with quite a bulk of unsigned material. the idea to release these tracks as an album came from our friend alex, at connaisseur. we instantly jumped on the idea, listened through the material, taking some tracks out and composing a few new ones, to make it sit more together as a whole. we tried to come up with a title that would ft the feeling of the sum of tracks and settled on the loneliest man in space. as the album, to our ears, sounds a little melancholic and a little spacey. we sincerely hope that you enjoy the album either as a listening experience, a dance experience or something in between!

first collaborative ep from the ownlife chronicles. the point between the mind behind semantica records, or what is the same. svreca. joining forces with the label owner. leiras. another four tracker shaping the cyclical, repetitive and deep sound characteristic from the series.

we are proud to present cann038, solid session ep, a new collaboration between orlando voorn and leo anibaldi.
solid session was originally released in 1991 on esp by format (orlando voorn) on #1 ep. this project includes a new remix of solid session by leo anibaldi on the a-side and the original mix on the b-side for the music collector.

germany-via- artist osker offermann, the owner of leading label white presents us a quality dou-bled package on the mule, strongly effecting his meditated mindsets. as well as his dj sets, his crafted productions have a superb balance between being not too exces-sive, but not being too minimalistic - creating the dynamism which make people move, based on his own aesthetic featured with well-polished, functional electro phrases and raw machine beats. because of its floating grooves, will be nice for club use, but also surely will be a good accompany for the home-listening. oskar continually points forward us the fact, that listening to deep house is no longer meandering journey, but something meaningful and fruitful in your life.

tobias. returns to ostgut ton with his third full length eyes in the center and expands the musical narrative laid out by his helium sessions ep (o-ton, 2016). the berghain resident keeps exploring the vast modular synth-driven techno, experimental and ambient territories on a journey in-between genres. tobias freund is long established as an influential artist and has – since the early 1990s – been working as a professional producer, sound engineer, label owner and strictly live musician. besides his early solo projects (such as pink elln, metazone or phobia) he’s also been collaborating with dandy jack (as sieg Über die sonne), ricardo villalobos (as odd machine), max loderbauer (as nsi.), valentina berthelon (as recent arts) and atom tm to only name a few. with his vast experience, diverse output and interests, tobias. doesn’t tire to actively push against existing boundaries and explore new areas of electronic music.

the newly formed hungarian pæonï music is making waves with its first outing. grema, the man behind the label and its debut release, is a well known character in budapest s underground techno and house scene. all three cuts on delays ep are for the dance floor, specifically designed to make people move. darker, dubby prophet-8 chords are reinforced by dynamic drum-sets and samples, which finely balance between the modern and traditional side of house music.

phaenomena ep is the second release of our kommuna tapes imprint. the first side starts with a track produced by tom ellis over a decade ago that has been one of our secret weapons for many years. barbir and nicola kazimir from les points take us on a faster paced, electroish trip. on the flip side, we are introducing an upcoming zürich talent – adva – with two cuts between ambient, dub and minimal. track by track, we build a kommuna of artists who share our insatiable appetite for music discovery, guided by a certain vision of the dancefloor: deep stripped-down grooves, sometimes challenging, always with character.

r&s records present the three remixes from sporting lifes slam dunk series pressed to one slab of wax. &#8232,,&#8232,,these remixes all came from sporting lifes friends and contemporaries. actress turns in a stunning, typically deconstructed remix of court vision (feat evy jane) alternating between using the full vocal, the mood is one of melancholic hauntology. galcher lustwork comes correct with a tripped out, euphoric house reworking of hydrate peeling back the complexity of the original for a straight jack that oozes class. finally arch beat provocateur dean blunt provides a suitably oddball take with his babyfather honeytrap mix (for shakilus) final vip if youve heard the amazing babyfather album or mixtape you know what to expect here

strangelove recordings makes its bold arrival with its inaugural release from the well-seasoned beatmaker worthy, with the aptly titled a little weird ep . a little weird stretches across the a-side with its bouncy drum and sub figure, spread thick over a searing lead line, percussive bleeps and worthy s all-yearning vocals that crescendo with a playful momentum. on the flip, bang baby keeps up the pressure with its warm and weighty bassline and fractured drum programming calling once more for worthy s vocal tones, bouncing atop the bumping rhythm track that stylistically treads the line between house, bass and tech. having of recent re-established his own anabatic records, toured relentlessly and released on labels such as exploited, insomniac and defected, worthy s much anticipated debut with us sets the standard high for what is to come, whilst wholly encapsulating the label s experimental sound dj support: danny howard, gorgon city, eton messy, amin edge, jakwob, illyus & barrientos, dateless, charlie tee, coco cole, linier, gotsome, kideko, low steppa, monki, mike wooler, oliver heldens, dismantle, 6ftshort, ciszak, ardalan, walker & royce, friend within + more!

composed and produced by burnt friedman between 1994 & 1999

ltd coloured edition
from his early releases as lusine onward, jeff mcilwain’s electronic explorations make up one of the more diverse discographies of the past decade and a half. effortlessly blurring the lines between techno, electro-pop and experimental composition, the texas-raised/seattle-based producer’s arrangements are meticulously constructed, but also filled with emotion and soul. with an introspective turn that’s hinted at in the record title, lusine’s fourth album for ghostly sees mcilwain diffusing the pop-leanings of 2013’s the waiting room with opaque, brush-stroked melodies washing over these new buoyant productions.
the double vinyl release includes a download code.

in order to get lines of perspective moving, aufgang transcend their instrumentarium. from this organic corpus, they manage to extract a hand-stitched, deeply human kind of music. this exhilarating craft builds bridges between disciplines, skilfully pulling together acoustics and electronics while making bold connections between different eras. ancestral pianos are groovier than any sequencer, the synths they use are antediluvian and the drums are constantly oscillating between metal and skin. they may well be the first truly accomplished and unabashed explorers of the channel connecting various approaches which, so far, had at best only been piled up. aufgang transcend the confines of time to bring the past back into the future.
180 gram double vinyl cut at 45 rpm - download code, a3 poster and embroidered shield (patch) included.

after being compared with mayer hawthorne on his first world acclaimed* classic soul album, treat me right, john milk is back with paris show some love a piece of modern and engaged r&b. synthesis between jay dilla and prince, john milk delivers a genuine and solid recording based on real to real tape machines and electronic sounds. previously working as artistic director of his own record label (karecords) and collaborating as a singer with mr president and blundetto (heavenly sweetness, favorite recording) john milk is now on a new vibe, merging all kind of recording processes, live recordings on reel to reel 8 tracks tascam, introduicing beatmaking and hip-hop culture with numerous machines, samplers and keys... a musical patchwork which has been open to all kinds of experi-mentations. songs where composed on top of instrumentals. the creative processs is about delivering the right energy once the music transmits the appropriate atmosphere. all songs are focus on having catchy hooks as much as conscious lyrics. paris show some love is a message album. creating music in the city of love during one of the most violent year for a long time... this contradiction has been the fuel to his creativity.the song «paris show some love» is specialy dedicated to the tragic night of november 13th 2015. john milk offers a person-nal reflexionon our capacity to find our way and moves beyond the lines and create.

the home of gfd proudly presents the 3rd episode of the series, that brings to light the collision of two musical universes, personified by the collaboration between desolats talented argentinian guti and romanian artist guy from downstairs. the tracks featured came to life from nothing but iced cappuccinos, analog machines love and spontaneous jamming sessions that took place over a few summer days in gutis magical studio from bucharest. 180grs. vinyl only.

a voyage into the outer reaches of immersive, ambient techno and electronics where boundaries are blurred between 80s bedroom boogie, detroit electro, broken beat and warp golden-era bleep

bristol-based produer (audio culture, apple pips, tsuba) drops catchy, jackin house tracks that bridge the gap between bristol & chicago. recommended for uk garage heads, derrick carter fans.

cascades is the music collaboration between two montreal-based musicians, neo-classical pianist jean-michel blais, and genre-defying grammy award-nominated electronic producer mike silver (pka cfcf). building off their sold out performance during the globally-celebrated 2016 red bull music academy, cascades is a stunning 5-song, 30-minute meeting-of-minds that navigates the spaces between the artists’ respective crafts and tendencies toward playful minimalism. featuring new versions from the duo’s catalogues, a reworking of john cage’s “in a landscape”, and a brand new, classical-meets-trance original composition, “hypocrite”, cascades is a celebration of the traditional and experimental, dissolving the old into the new.
the vinyl release is limited to 1000 numbered copies and includes a downloadcode.

unscene record s debut 12-inch release, theme of roman ep , features three modernistic tracks from grecian artists kostas georgoudis and alex dimou (in a b-side collaboration). a1-theme of roman (original mix) initiates the quest by creating minimalistic soundscapes of a cinematic nature, translating to listeners as a prismatic chemistry of iridescent textures, dub, and pitch-shifted voices. a2-palouse (original mix), provides a discourse between vintage aesthetics and futuristic dynamism, rendering a more abstract and atmospheric composition. on the flip side, track b1-mozy (original mix) demonstrates a steady rhythmic bass construction complimented by high-hat variations, while giving rise to a primordial sense of movement and full bodied grooves. wholly, theme of roman ep delivers a cohesive collection of original mixes, all of which stem from various parts of the deep house/ tech house/ minimal techno spectrum.

incredible repress of rick wilhites 2004 ep on chicagos still music imprint. pure detroit beatdown house music, featuring some stellar remix and production work from the legendary delano smith too! city bar reopen live dancing is the opening track, a down-low, funk drenched late night mover that s full of soul with killer vocals from the amazingly monikered billy beemer aka bill beaver. this one s a cult track, underground house music for dancers! 2 mixes of magic water also appear on this essential 12inch, a collabo between rick and delano which is all that needs to be said really! as you can imagine this one is deep a subdued groove that slowly blooms and unfolds until you re totally locked in and it s too late! all in all, a timely reissue of a mid 2000s classic 12inch overflowing with rick wilhites unique style and flow, one of detroit’s most unsung heroes.

the anticipation between osunlade releases are experiences in themselves. the high priest of house, his sound legitimizes the unseen spirit world that informs the pulse in every song he crafts. dedication ep functions like a sound library, a place where you can find indigenous rhythms from around the world, making osunlades musical signature both ancient and futuristic. jazz and global citizenship come through in his latest work, a decade based in greece and a lifetime submerged in the participation, creation and production of music. with dedication ep, osunlade boldly presents a mid-tempo meditative musical essay with reflections in the form of everyday conversations and everyday life. these selections meet global feelings of political anxiety with rhythm patterns that bring you closer to the gift of transcendence.

nice price deal !!! nice price deal !!! ears open for this flex002, a collection of fresh made in italy house and the first journey with our new “piada spaceship”, we are pleased to welcome this bunch of astronauts that made this 12” a versatile tool for every kind of dance floor. yougrent, with his hypnotic and full dreamy track (don’t give us a chance!), the hill’s -short track- which embraces mpc beats and a 303-like evolving bass, alongside the collaboration between our men dj rou and opponent, who build their “afrowalk” on a never-ending jazzy loop. on b side you can find the dirty bass driven by tengrams that make the things more raw, the closing track is from luckyfeels which creates a fresh house track on a 90’s piano.

(180 gr heavy weight gatefold 2lp with liner notes) funky chicken brings together some of the best belgian dance tracks from the early seventies. its a post-fact documentation, the result of a quest into a period on which information is few and far between the black hole in belgiums history of pop.

hund records crew made quads with a fresh release by infuse brains seb zito. first one, the original appletizer, is a track for dancefloors, a big blow that we always need in our bag. -sumone- instead is something different, pure seb s style blended with an house touch. the only-one remix comes from one of the most important producers of the moment: janeret. he was able to provide the right balance between the original track and his unmistakable style. janeret brings us to a trip that we cannot forget easily. already supported by raresh, dj steaw, paolo rocco, varhat, alci, david gtronic, terence terry, robert dietz, romar, andrey pushkarev.as all the other previous releases, hund004 will be limited to 300 copies. furthermore, we add another piece to the puzzle with one more authentic artwork, be fast to reserve your copy.

homeys records new release,something new, features the first collaboration between marina p and the upcoming french producer ksd. once the original track was completed, the vocals were given to three other producers close to the italian singer for remixing. stand high patrol’s version offers a jazzy take on the track with unexpected footwork influences. twm, for his very first release, presents a steppers version made for the soundsystem. homeys brings a roots reggae touch with a flute part that leads the theme.

there is a couple downstairs they don’t specially like each other and nothing matches between them, but they are together everyday and they said things could be worst. they have two large boxes with one hole hiding their faces so they just see what they want to see. they select what is important to look at and stare at it for hours. sometime they may both look at the same thing but they don’t even know it. this is a small part of the soundtrack running in their boxes.

immanence is the inaugural release on romance born from a creative partnership between the sonic world, and it’s symbiotic visual realm.
a collaborative project, the first of a ten part series, immanence marries dub techno connoisseur zzzzra with uk photographer katelyn playford in their own artistic realisations of philosophical theories of divine presence. tasked with sound tracking immanence into four dub techno masterpieces, zzzzra’s own sensual and romantic interpretation of immanence transcends through the eyes of katelyn’s striking photography, manifesting into a visual immanent of the female aura. the resulting destination is a thought provoking piece of sensory art that implores to suggest that, much like the purity and sexuality of the female form, neither the simplicity of the visual, nor the intensity of the auditory, can exist in a world without the other.

four hypercurrent and gently melancholic cuts on this new vinyl only label linked to one of lisbon s best clubs for house and techno, ministerium. side a is all about the electro: markus sommer s trademark stinson-indebted grooves strike an optimistic note on empyrium, while happy-sad chords soften the sharper edges of klein/melchner s breaksy plata o plomo. house is the feeling on side b: phil evans syscresh sticks a tech house groove and bumping bassline under the mournful bleeps of a heartbroken computer, before ministerium regular jorge caiado takes us into a languorous, transitory mood on between flights, its dreamy cliffside opening taking a deep plunge into a reverb-laden acid finale.

ltd to 200 copies
hailing from east london but otherwise shrouded in mystery, loop lf makes a strong first appearance with this opening gambit for well street records. there s a diverse array of sounds presented across this 12-, with the intricate minimalisms of -moon gz- matching glitchy percussion with ethereal pad tones to great effect before -ocean drums- opens the sound out into a broader, fuller broken beat context. -stepping back- is an audacious production that makes full use of the space between the drum hits before -you wouldn t understand- heads into an overtly reduced, dubstep-minded headspace perfect for all lovers of the original fwd vibe in a modern setting.

lessismore record label, founded in 2003 by the dutch dj and producer alexis tyrel together with mbc, has been home for mostly his own releases under all his monikers and various artist compilations. “return to planet alpha” continues in this tradition, being a second long-player of alexis tyrel after his debut “newtradition” from 2011.
“return to planet alpha” is a collection of elegant techno tracks which instead of following the now so popular dark and destructive path focuses on daily moods and airy atmosphere, which is closer to open air and lounge than to sweaty pits of contemporary rave. but that doesn’t mean that the twelve tracks are just indistinctive background music. for one thing, tyrel is a master of slick and tight beat foundations of kick drums and bass, often smoothed out with cool synth pads, onto which he layers all kinds of rhythmical chains, subtle melodic ideas and sounds ranging from vintage synths and industrial bits to organic textures and even field recordings.

deep88 on 4 tracks jammed live, direct recording, no editing, what you hear is what he plays. that border between techno and house.

next up on tomorrow is now, kid! is an ep from rutilance recordings owner, dj steaw. the french artist crafted four sturdy tracks on this fresh ep. it is a perfect blend between chicago and new york house, with a big splash of acid throughout the disc. the hypnotising percussion and grimy sounds take you to new, unforeseen places. keywords for best describing this 12inch are, beyond any doubt, deep and vigorous. enjoy these four definite killers in the club.

‘mind fiction’, kaczor s first release, comes with organic artwork such as a growing plant cover and simple yet sleek thai design inspired by a recent tour to southeast asia. the ep serves as a perfect example for kaczor s own artistic vision: moody textures and mellower grooves meeting his trademark raw and gritty, forceful attack-laden release of rolling drums, bass and percussion, pointing to kaczor s own roots in the more stormy outbacks of broken beats or uk bass. first track ‘balance’ starts off with a softer, textured soundscape, nicely balancing melancholy synth waves and drum rattles into an atmospheric opener with a slowly oncoming and unfurling, melodic twist. the title track ‘mind fiction’ more closely follows kaczors very own signature formula of a simple and driving bassline followed by an evocative build-up rushing into an emotional, cathartic breakdown. ‘asta’ might be kazcor s most daring and trippy production to date: an intense mixture between hypnotic, hard hitting thumps and thunderous rolling drums taking the listener into the electrifying whirl of a night-time storm, where the tense and dense, humid atmosphere culminates in a monsoon-like rainfall of spiralling reverb – marking a fitting crescendo for this impressive debut on kaczor s now very own sonic ground.

jurassic 5 flexed serious old-to-the-new muscles in the ‘90s, beginning with their independently released single “unified rebelution” in 1994, and book-ending with their stellar debut full-length: 2000’s quality control. they walked a tightrope between underground and mainstream hip-hop, and toured alongside rap peers as well as punk rockers on the vans warped tour.

dance fiction is a little bit more than just a various artists ep. anaxander, quell, kresy and klaaar team up for a truly house music records. this house music record, made for the floor, is the result of the friendship between the art feast crüe and artists that have played at our endless parties in our beloved city of lyon. long nights, eating some of the finest local food, dancing, drinking, and having a good time together. this is what we call dance fiction, a simple story of friendship and love of dance music

folamour was responsible for one of the dreamiest, most colourful deep house records of recent times - the brilliant shakkei ep on all city so hopes are naturally high for this excursion on the producer s recently launched fhuo records. he kicks off proceedings with the thrillingly addictive very first touch, where dreamy pads and looped party samples cluster around a snappy, jazz-fuelled house groove, before ratcheting the energy levels up a notch or two via the rubbery slap bass, driving drum machine beats and warm rhodes chords of alerte a babylon. in between, you ll find pravis l estaque, a stomping deep house floor-burner blessed with some seriously good, jammed-out electric piano solos.

love will remember pharaon de winter, it says at the very end of this record. pharaon de winter was a relatively unsuccessful painter from northern france. today its the name of a band, but also the name of the song that changed its authors life. the ex-leader of the bands toy fight and (please) dont blame mexico - the eps first aid and michel foucault, and the album concorde, in 2011, with the hit song the protocol - maxime chamouxs musical style could be placed somewhere between north-american rock, spoon, neutral milk hotel, and prefab spout and xtcs sophisticated brit-pop.

after the huge waves caused by the first release on guy gerbers new rumors label – a collaboration between himself and innervisions king pin dixon – the second release is sure to be just as hotly anticipated. it comes from inventive israeli house man chaim and is backed with a remix from life & death boss dj tennis and guy himself. 2017 repress

goldmin founder romain lanteaume aka einka meets terrence dixon for a 2nd record which is nothing but a logical suite to the one released last year. this one is probably less deliberately dark but to us the edge was not dark at all, like what we tend to call melancholy isn t obviously a negative feeling. we believe there s no real duality between things and states. there s an incredible amount of degress in between. its always a bit more complex and deeper than the first impression!